The sheaves are the large wheels or pulleys on which the cables travel. A contractor for the crane manufacturer is on site to handle the task and by Friday evening they had erected a scaffold under the #3 crane and removed the lifting cables. A total of ten sheaves were replaced; like so much of the other equipment on this ship, they are massive pieces of metal. Each one weighs about 465 kg and is 1.65 meters in diameter.
Once all the repairs are completed the ship will be back in service and the crew will load the outbound cargo and we will be on our way to Hamburg.
On Friday I made a short trip to Antwerp to see the sights and take a few photos. The weather was a vast improvement over Thursday's and Dieter and I left the ship about 9:30 to make the walk to the bus stop, about 30 minutes away. One aspect of freighter travel is that passengers often find themselves disembarking at busy cargo ports which are a good distance from the city centers and distinctly lacking in any resources for transporting passengers. Sometimes it's a long walk just to get to the gate; if one is lucky there might be a shuttle bus for the port workers like in Shanghai. Here in Antwerp the gate was only a short walk from our berth but then it was a good walk along a busy road until we reached the bus stop. On their return the previous day, Dieter and Clive got quite wet from the road spray of the passing trucks, but on this trip the weather was very pleasant.
Once we reached the city center we spent some time walking about and admiring the architecture. The central railway station, built in 1905, is a great example of the blending of the old with the new; a domed central entryway with marble columns and ornate windows leads to the thoroughly modern departure area. This blend of different styles is also quite evident on the surrounding streets where it almost seems as if each building represents a different era. Ornate, turn of the century facades stand side by side with glass and steel exteriors and somehow this eclectic mixture presents a pleasing symmetry. Large areas of the city center are pedestrian zones and the shops and brands are much the same as one finds in any major international city. There are plenty of winding side streets where a wide range of offbeat and specialty boutiques can be found.
At one point we noticed a gathering crowd near a police car and some barriers that appeared to indicate some sort of crime scene. Walking in that direction we were startled to see on the ground what can only be described as massive, meter long bird droppings. Apparently we had stumbled upon some sort of art exhibit as the central figure in this exercise in street theater was what appeared to be the sheet-draped corpse of a gigantic bird. The creature's feet were pointing up in the air as if it was lying on its back and all around there were indications of a somewhat gruesome and messy crash. In addition to the aforementioned excrement there was also a good deal of material that was supposed to represent some blood and guts.
The crowd was milling about at the perimeter of the "police line", most taking pictures or trying to figure out exactly what was being represented. There were also a couple of police officers who I assume were part of the play but also on hand to keep order and a few people with some high-end video equipment who were recording the whole scene, no doubt for their senior art seminar.
I have to admit that I walked away somewhat confused. I'm not sure of the purpose of the whole exercise; was it some protest against animal cruelty or a reminder that we should be thankful our cities are not infested with two-meter tall birds with droppings the size of coffee tables? Obviously my ignorance is more a reflection of my bumpkin-like innocence and lack of sophistication than a criticism of the motives or intent of the artists.
Perhaps in response to the city's many famous beers and venues in which to drink them, Antwerp provides strategically placed pissoirs for the relief of the gentleman who finds his bladder at capacity. While this is no doubt convenient, I was struck by just how exposed they were.
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